Lithographs – Russell Chatham http://russellchatham.com/ Tue, 21 Sep 2021 19:40:19 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 http://russellchatham.com/wp-content/uploads/2021/06/icon-2.png Lithographs – Russell Chatham http://russellchatham.com/ 32 32 Lucas Museum of Narrative Art is approaching 2023 opening date http://russellchatham.com/lucas-museum-of-narrative-art-is-approaching-2023-opening-date/ http://russellchatham.com/lucas-museum-of-narrative-art-is-approaching-2023-opening-date/#respond Tue, 21 Sep 2021 18:47:04 +0000 http://russellchatham.com/lucas-museum-of-narrative-art-is-approaching-2023-opening-date/ The Lucas Museum of Narrative Art nears its completion date, with the billion dollar museum set to open in 2023 and speaking with the LA Times as another museum nears its opening date – the movie Academy Museum – Lucas Museum Director Sandra Jackson-Dumont discussed the current state of LMNA and what visitors can expect, […]]]>

The Lucas Museum of Narrative Art nears its completion date, with the billion dollar museum set to open in 2023 and speaking with the LA Times as another museum nears its opening date – the movie Academy Museum – Lucas Museum Director Sandra Jackson-Dumont discussed the current state of LMNA and what visitors can expect, as Jackson-Dumont puts it, a ‘museum dedicated to narrative art; it’s not just about cinema. ‘

COVID-19 health and safety protocols may have slowed construction and pushed the Lucas Museum’s targeted debut into 2022, but the futuristic building designed by Ma Yansong is making progress, Jackson-Dumont said.

The museum secured the final beam in its steel structure and “refueled” in March. Construction of two theaters, second-floor classrooms and fourth-floor galleries – approximately 80,000 square feet of exhibition space – is underway. The galleries will feature works from Lucas’ personal collection of more than 100,000 pieces of folk art and art as well as “Star Wars” ephemera.

The museum recently hired an associate director of public programs and social impact, Regan Pro, who is from the Seattle Art Museum, where she held a similar position. Key positions in the library, operations, programming and curatorial departments will be announced in the first quarter of next year.

The Lucas Museum is also expanding its collection. Earlier this month, he acquired the painting “Fish Market” from Alice Neel (1947), which was part of the recent Metropolitan Museum of Art retrospective, “Alice Neel: People Come First”. In May, the Lucas Museum acquired Robert Colescott’s 1975 painting “George Washington Carver Crossing the Delaware: Page From an American History Textbook,” which Jackson-Dumont calls a vehicle “for exploring and unpacking characters racially, socially, and historically. loaded and meaningful ”.

He has also added contemporary works by Southern California artists to his permanent collection, including “The Last Indian Market” by Cara Romero (2015) and “The New American Gothic” by Criselda Vasquez (2017).

But Jackson-Dumont is perhaps more excited about a work the museum acquired at the end of 2020: “Autorretrato Dedicado al Dr. Eloesser” by Frida Kahlo (Self-portrait dedicated to Dr. Eloesser) (1940), which was included in the recent exhibition “Frida Kahlo: appearances can be deceptive”.

“It is one of his most important works,” Jackson-Dumont said. “She was painted at a particularly tumultuous time in her life, and she incorporates images that tell aspects of her experiences. There is a necklace of thorns around her neck, the earrings were a gift from Picasso, the banner bearing a dedication to the doctor who helped her during her stay in the Bay Area. We look forward to inviting people to discuss this work, see this work. I think it’s the “Mona Lisa” from Mexico, it’s beautiful.

The museum has also added several archives to its collection. This spring he acquired a collection of nearly 3,000 works of art and other materials from Mexican political lithographer José Guadalupe Posada. He also acquired the archives of Judith F. Baca documenting the making of his epic half-mile-long fresco, “The Great Wall of Los Angeles”. She is the first female muralist represented in the museum’s collection.

Participants in the Lucas Museum and LA Commons Construction Fence Project along Bill Robertson Lane.
Participants in the Lucas Museum and LA Commons Construction Fence Project along Bill Robertson Lane. (Photo: Marty Cotwright)
And if you’re intrigued by the colorful art on the museum building fence along Bill Robertson Lane, this is a project between the Lucas Museum and the LA Commons Arts Association. The art is made by 21 local students who worked with muralist Noni Olabisi and LA artist Luis Mateo to create narrative art for the fence. The works address the themes of the neighborhood and the community, family and friendship.

“It’s exciting,” Jackson-Dumont said of all that momentum. “It’s a really amazing time. We have been busy at all levels.


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Van Gogh’s “new” drawing has never been publicly exhibited at the Amsterdam museum http://russellchatham.com/van-goghs-new-drawing-has-never-been-publicly-exhibited-at-the-amsterdam-museum/ http://russellchatham.com/van-goghs-new-drawing-has-never-been-publicly-exhibited-at-the-amsterdam-museum/#respond Mon, 20 Sep 2021 22:45:26 +0000 http://russellchatham.com/van-goghs-new-drawing-has-never-been-publicly-exhibited-at-the-amsterdam-museum/ A recently discovered work by Vincent van Gogh is now on display for the first time in public at the Amsterdam museum named after the Dutch master. “The study for ‘Worn Out’ is a preliminary study for the 1882 ‘Worn Out’ drawing, one of the most powerful character designs of Van Gogh’s period in The […]]]>

A recently discovered work by Vincent van Gogh is now on display for the first time in public at the Amsterdam museum named after the Dutch master.

“The study for ‘Worn Out’ is a preliminary study for the 1882 ‘Worn Out’ drawing, one of the most powerful character designs of Van Gogh’s period in The Hague,” an spokesperson for the Van Gogh Museum.

From the style of the sketch to the materials used – a heavy carpenter’s pencil and coarse watercolor paper – the design conforms to Van Gogh’s drawings in The Hague. There are even traces of damage to the back, connecting the artwork to how Van Gogh used wads of starch to attach sheets of paper to drawing boards.

Emilie Gordenker, director of the Van Gogh Museum, told Fox News that the piece is a must-see for American tourists: “As a center of expertise dedicated to the work of Vincent van Gogh and his contemporaries, we are delighted of this discovery. and are very happy to have made a contribution to our area of ​​specialization. It is quite rare that a new work is attributed to Van Gogh. We are proud to be able to share this first drawing and its story with our visitors.

THE RARELY SEEN PAINTING OF VAN GOGH “STREET SCENE IN MONTMARTRE” EXHIBITED BEFORE THE AUCTION

The art comes from a time in the virtuoso’s career when he was working to improve his skills as a character and portrait painter by drawing them over and over again.

The work illustrates how, as a young artist in the practice of his craft, Van Gogh had to face an uncomfortable truth: only true perfecting of skill leads to mastery.

The work is not for sale and its value is immeasurable: “The Van Gogh Museum never comments on the value of Van Gogh’s works. We are not an artistic institution that sells works of art. We are only interested in the historical value of the art of the work. “

The artwork shows a man – old and hairless – seated, leaning forward in a wooden chair, his tired head in his hands.

The museum added: “The model of the drawing appears regularly in the work of Van Gogh, who has drawn the bald old man more than forty times. In these drawings, the artist not only displayed his sympathy for socially disadvantaged people, but also paid attention to them, for they were for him in no way inferior to the well-to-do bourgeoisie. “

Van Gogh, who had little lucrative success during his lifetime, died on July 29, 1890 from a self-inflicted gunshot wound.

The inspiration for the play resonates with the outcome of his professional life. “In the fall of 1882, Van Gogh tried to make some of his figure studies more expressive, to elevate them to a higher level.“ Worn Out ”is one of the most compelling examples. study for this drawing allows us to closely follow the process leading to the powerful image, ”the museum noted.

The young painter gave the drawings an English title in an attempt to make himself known a little and maybe even land a job in an illustrated magazine.

Even the mannequin’s pants appear to conform to the English title – a patch is clearly visible on the right leg.

The museum said: “Worn Out is one of the strongest figure drawings of Van Gogh’s The Hague period. In letters to his brother Theo and his friend Anthon van Rappard, Van Gogh described the genesis of the drawing in detail, but the studies he mentioned were yet to be discovered. The discovery of Study for ‘Worn Out’ now gives us an intriguing glimpse into this working process. Especially how in the final version, on which the lithograph was based, Van Gogh saw his model from a different perspective, made her adopt a different pose, in order to add more emotional expression. That being said, the study remains a beautiful and powerful drawing by Van Gogh, which stands well alone. “

The work was hidden in plain sight: in a private collection.

“The study for ‘Worn Out’ was submitted to the Van Gogh Museum for authentication research some time ago. The Van Gogh Museum acknowledged the authenticity of the design and made a report for the owner. investigation into this drawing will be published in the visual arts journal The Burlington Magazine in October, and the drawing has been on display at the museum since last Friday. “

The reasons for this sudden discovery are a mystery. “Nothing was known about the drawing until it got to the museum,” the museum noted. “However, it is possible to infer from Van Gogh’s letters that two studies preceded the ‘Worn Out’ design, one of which was with a different model. The design had not been discovered, but neither had one. another with the same model: Van Gogh’s early comic books were simply lost, so it was a wonderful surprise when one of the two studies turned out not to be actually lost, only hidden for so long.

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“Study for ‘Worn out'” will be on display on the first floor of the permanent collection of the Van Gogh Museum until January. Visitors will be able to view the drawing against the backdrop of other Van Gogh works from the same period – all from the collection of the Van Gogh Museum – including the “Worn Out” drawing itself.

After the exhibition closes, the drawing, including its new frame, will be returned to the owner, who remains anonymous.

The artwork is a far cry from the vibrant oil paintings of vases of sunflowers and French landscapes that ultimately made the tormented Van Gogh – after his death in 1890 – one of the world’s most famous artists, whose works have won astronomical prices at auction.

Teio Meedendorp, senior researcher at the Van Gogh Museum, told Fox News: “Showing the study for ‘Worn Out’ in the context of this other work gives us special insight into Van Gogh’s work process. In addition, the study is very fine drawing, powerful, which stands on its own. “

The Associated Press contributed to this report.


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Six decades and 1000 workers later, it’s L’Arc de Triomphe enveloped by Christo and Jeanne-Claude http://russellchatham.com/six-decades-and-1000-workers-later-its-larc-de-triomphe-enveloped-by-christo-and-jeanne-claude/ http://russellchatham.com/six-decades-and-1000-workers-later-its-larc-de-triomphe-enveloped-by-christo-and-jeanne-claude/#respond Mon, 20 Sep 2021 04:07:49 +0000 http://russellchatham.com/six-decades-and-1000-workers-later-its-larc-de-triomphe-enveloped-by-christo-and-jeanne-claude/ Christo and Jeanne-Claude, L’Arc de Triomphe, Envelopé, Paris, 1961-2021. photo: Benjamin Loyseau © 2021 Christo and Jeanne-Claude Foundation Six decades in preparation, the regrets of Christo and Jeanne-Claude The Arc de Triomphe, Wrapped, Paris, 1961-2021, was unveiled this weekend. In accordance with Christo’s wishes, the work was produced by his team in partnership with the […]]]>
Christo and Jeanne-Claude, L’Arc de Triomphe, Envelopé, Paris, 1961-2021. photo: Benjamin Loyseau © 2021 Christo and Jeanne-Claude Foundation

Six decades in preparation, the regrets of Christo and Jeanne-Claude The Arc de Triomphe, Wrapped, Paris, 1961-2021, was unveiled this weekend. In accordance with Christo’s wishes, the work was produced by his team in partnership with the Center des monuments nationaux (CMN) and with the support of the Center Pompidou and the City of Paris.

More than 1000 workers contributed to the realization of the project, including 95 climbers to unfold the fabric panels on each of the four facades of the Arc de Triomphe from its roof terrace. The facades of the monument are now completely covered.

Ropes are being installed to secure and bypass the fabric on the Arc de Triomphe Paris, September 13, 2021. photo: Lubri © 2021 Fondation Christo et Jeanne-Claude

The project was born from the professional and artisanal talent of around thirty companies, including Les Charpentiers de Paris, who were also the builders of the Pont-Neuf cladding in 1985; Réseau Jade, a French company specializing in rope access; the German engineering and design studio Schlaich Bergermann Partner (SBP); and the German membrane engineering company Büro Für Leichtbau.

“Our job is to bring Christo’s imagination expressed in his designs to life, which we did in this project, creating the fabric and ropes based on our engineering knowledge,” said Jörg Tritthardt, CEO by büro für leichtbau, who previously worked on The Wrapped Reichstag. “Every visual step in adapting his designs has been approved by him, and it’s fantastic to make this project happen. It is a gift for each of us.

Christo and Jeanne-Claude L’Arc de Triomphe, Wrapped, Paris, 1961-2021. photo: Lubri © 2021 Christo and Jeanne-Claude Foundation

The Arc de Triomphe monument is wrapped in 25,000 square meters of recyclable silver-blue polypropylene fabric and 3,000 meters of recyclable red polypropylene rope. The public project is fully funded through the sale of original artwork by Christo, including preparatory studies and collages, scale models, artwork from the 1950s and 1960s, and lithographs.

The Eternal Flame, in front of the Tomb of the Unknown Soldier at the Arc de Triomphe, will continue to burn throughout the assembly and disassembly, and during the exhibition of the work of art.


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The mathematical art of repeating patterns http://russellchatham.com/the-mathematical-art-of-repeating-patterns/ http://russellchatham.com/the-mathematical-art-of-repeating-patterns/#respond Sat, 18 Sep 2021 18:22:30 +0000 http://russellchatham.com/the-mathematical-art-of-repeating-patterns/ A wall tile at the Alhambra, in Granada, Spain. (Photo: Wikimedia Commons, (CC BY-SA 3.0)) From patterned wallpaper to decorative mosaics, paving can be found all around us. The mathematical art of creating repeating patterns dates back to 4000 BCE, when the Sumerians used clay tiles to decorate their homes and temples. Since then, virtually […]]]>

A wall tile at the Alhambra, in Granada, Spain. (Photo: Wikimedia Commons, (CC BY-SA 3.0))

From patterned wallpaper to decorative mosaics, paving can be found all around us. The mathematical art of creating repeating patterns dates back to 4000 BCE, when the Sumerians used clay tiles to decorate their homes and temples. Since then, virtually every other civilization throughout history has adopted tilings in art and architecture.

Read on to learn about the history of paving and how the complex theory is still used today.

What is a paving?

A tessellation occurs when a geometric shape (or tile) repeats over and over again, covering a 2D or 3D surface without any gaps or overlaps. There are different styles of tiling depending on the shapes used.

The word “paving” comes from the Latin tessera which means a small stone similar to a tile. Tessera was used to make tessellata, that is to say the mosaics and tiles that decorate the ancient Roman buildings.

Types of paving

Paving art

An example of a semi-regular tessellation (Photo: Wikimedia Commons, (CC BY-SA 3.0))

There are many types of paving, all of which can be classified as those that repeat, are not periodic, quasi-periodic, and those who are fractals. The most common configurations are regular paving and semi-regular paving.

Ordinary periodic tiling is to create a repeating pattern from polygonal shapes, each meeting summit to summit (the point of intersection of three or more adjacent tiles). A checkerboard is the simplest example: it consists of square tiles in two contrasting colors (usually black and white) that can be repeated over and over again.

Semi-regular tessellations occur when two or more types of regular polygons are arranged so that each vertex point is the same. Each vertex is surrounded by the same polygons arranged in the same recurring order. (See the example above.)

Now that we’ve covered the basic math of tilings, read on to learn more about their use throughout history.

Tessellations in ancient Islamic art and architecture

Paving art

Ceramic tile tessellations in Marrakech, Morocco (Photo: Wikimedia Commons, (CC BY-SA 3.0))

While the Sumerians of the 5th and 6th BC Egyptians, Persians, Romans, Greeks, Arabs, Japanese, Chinese, and Moors all adopted repeating patterns in their decorative arts.

Perhaps the most famous style of paving can be found in Islamic art and architecture. Islamic religious art is generally characterized by the absence of figures and other living beings. This is because many Muslims believe that the creation of living forms is solely the work of God. Therefore, they adopted the abstract characteristics of tessellation and used colorful geometric tiles to create non-figurative patterns.

One of the most famous examples of Islamic tessellation art is found in the Alhambra, a huge palace located in Granada, Spain. It was built by the Muslim Moors in the 14th century and became the royal residence and court of Mohammed ibn Yusuf Ben Nasr. Inside the fortress, the walls are adorned with countless colorful tiles in geometric formations.

In Islam, using tilings to decorate surfaces and is called zillij. This style of mosaic tile is made from individually hand-chiseled pieces into a plaster base. You can still find zillij installations in Morocco and other predominantly Islamic countries, on the walls and floors of mosques, houses, public places and tombs.

Paving art

Tiling work in the Moroccan pavilion in the global showcase of the EPCOT Center. (Photo: Wikimedia Commons, (CC BY 2.0))

The tessellation in art history

When we compare the methodical theories of mathematics and science to the free thought process of artistic creation, it is easy to forget that the three disciplines are often linked. Many artists have focused on creating art that follows certain mathematical rules.

MC Escher: the father of modern paving

The mathematical theory of tilings has also had an influence on the art world. Perhaps the most famous artist for using geometric grids in his work is MC Escher. Also called the “father of modern paving,” the Dutch artist created irregular and interlocking tiles in the shape of animals and other natural objects.

Although he had no formal mathematical training, Escher was concerned with precision and a natural understanding of geometry. With his woodcuts, lithographs, black prints and drawings, he just wanted to achieve balance, harmony and perfection. He has already been quoted as saying, “Order is the repetition of units. Chaos is multiplicity without rhythm.

While Escher’s work is often associated with the Op Art movement, other artists used mathematical tilings in a more practical and decorative way.

The models of Koloman Moser

Paving

Lithograph “Die Reciproken Tänzerinnen” by Koloman Moser, 1901 (Photo: Wikimedia Commons, public domain)

Austrian artist Koloman Moser is known for its Art Nouveau-style patterns which follow the principles of tessellation. His influential and elaborate designs, often featuring natural patterns and geometric shapes, have been used as textiles for fashion and interiors, wallpaper, posters, furniture, jewelry and even postage stamps.

Along with Gustav Klimt, Moser was one of the founders of The Vienna Secession. The avant-garde movement was a counter-foot to the conservative artistic institutions of the Austrian capital at the end of the 19th century. The artists promoted a contemporary approach to art and each developed their own styles which are still widely celebrated today.

Here are some examples of how contemporary artists use tilings in their art.

Matthew Chilean’s paper sculptures

Matthew Shlian

Read more: Paper Artist Engineers Incredible Fully Handmade Relief Sculptures

Tessellation Surreal Landscape Drawings by Tim Stokes

Hand-printed designs by JeongSu

Paper tessellations by Ekaterina Lukasheva

Related Articles:

Artist uses engineering to fold fascinating geometric paper sculptures

10 incredible mosques around the world celebrating the greatness of Islamic architecture

Photographer travels Asia to capture the beautiful patterns that emerge in everyday life



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The South Street Seaport Museum extends its open days until October 31 http://russellchatham.com/the-south-street-seaport-museum-extends-its-open-days-until-october-31/ http://russellchatham.com/the-south-street-seaport-museum-extends-its-open-days-until-october-31/#respond Sat, 18 Sep 2021 00:51:01 +0000 http://russellchatham.com/the-south-street-seaport-museum-extends-its-open-days-until-october-31/ The South Street Seaport Museum is announcing the extension of open days until October 31, 2021 on Fridays, Saturdays and Sundays with scheduled entry to Pier 16 (Fulton and South Streets). Open houses include free tours of the historic tall ship Wavertree and the 1908 Ambrose flagship, free demonstrations by the letterpress printers of Bowne […]]]>

The South Street Seaport Museum is announcing the extension of open days until October 31, 2021 on Fridays, Saturdays and Sundays with scheduled entry to Pier 16 (Fulton and South Streets).

Open houses include free tours of the historic tall ship Wavertree and the 1908 Ambrose flagship, free demonstrations by the letterpress printers of Bowne & Co., an outdoor exhibit at Pier 16, and cruises aboard the 1930 tugboat WO Decker. To learn more and to book tickets, visit seaportmuseum.org/visitwavertree.

President and CEO Captain Jonathan Boulware said, “The Seaport Museum is delighted to welcome visitors to our historic ships on select days from May through October. Building on this success, we plan to share our flagship product with over 25,000 visitors in 2021. With protocols in place to protect the health and safety of our visitors and staff, we look forward to bringing visitors of all ages on board. “

The tall ship Wavertree from 1885 is now open until October 31, 2021 on Fridays, Saturdays and Sundays with a scheduled entry, from 11 a.m. to 5 p.m. Admission is FREE and includes access to the ship’s exterior spaces, including the main deck and raised aft deck, as well as the cargo hold. To learn more and to book tickets, visit seaportmuseum.org/visitwavertree.

Wavertree is listed on the National Register of Historic Places and represents the thousands of ships that have docked along New York’s waterfront over the centuries. Guests will tour the traditional sailboat moored at Pier 16. Admire the towering masts and miles of rigging. Learn about how people worked and lived aboard a 19th-century freighter, from the captain to the ship’s officers, cooks and crew. Then visit the cargo bay and climb to the top of our new observation deck where you can admire the huge main cargo area. Step onto the aft deck and pose for a photo at the helm of the ship, and enjoy the views while looking out over New York Harbor and the Brooklyn Bridge and Brooklyn Heights. Or look down to land and see the skyline of the Financial District, which flourished on ships like Wavertree, which brought the goods that helped businesses thrive. One of this year’s attendees said: “The view was wonderful and the historic ship was amazing; the children enjoyed the beautiful day. “

Tours will be self-guided along a defined route. Wavertree is permanently moored at Pier 16 and does not sail in the harbor. Access to Wavertree requires climbing a small ladder-type staircase and an angled walkway. Wavertree open days may be canceled in the event of bad weather. More information on the history of the Wavertree can be found at seaportmuseum.org/wavertree.

The 1908 Ambrose flagship will be open for FREE tours every Friday, Saturday and Sunday until October 31, 2021. The ship will make four tours per day, departing 11:30 am, 2:30 pm, 3:30 pm and 4:00 pm from Pier 16. For book a free tour and for more information visit seaportmuseum.org/ambrose.

Ambrose is the first ship to join the Seaport Museum fleet and the very first flagship to guard the only shipping channel in and out of New York and New Jersey ports, the Ambrose Canal. As part of the Seaport Museum’s general admission, visitors can tour the multiple decks of this National Historic Landmark and see the living and working spaces once inhabited by sailors stationed on Ambrose. The launch of the tours coincides with the anniversary of Ambrose’s arrival on August 5, 1968 at the Museum. One of this year’s attendees said: “We really enjoyed the tour on the Ambrose and learned a lot about the ship and in particular how Ambrose (the person) worked to deepen the waterways in the New York Harbor to accommodate the larger ships that made their way to our shores. “

Guided tours last approximately 30 minutes. Advance reservations are recommended. Customers must check in 15 minutes before the tour. Access to Ambrose requires climbing an angled walkway. Stairs lead to the lower floors.

The 1930 tugboat WO Decker will be open for public cruises every Friday, Saturday and Sunday until October 31, 2021. The ship will make three tours each Saturday, departing at 1:15 pm, 2:45 pm and 4:15 pm. Tickets to ride are $ 30 for adults, $ 25 for seniors / students, and $ 15 for children and are available for purchase at seaportmuseum.org/decker.

Take an exciting 75-minute ride on the last wooden tugboat built in New York, WO Decker, recently named “Tugboat of the Year” by the Steamship Historical Society of America. Cruises will explore New York Harbor and views may include the Statue of Liberty, Ellis Island, the Battery, and Governors Island as you embark on an unprecedented adventure! One of this year’s attendees said it was “the best way to explore New York Harbor, loved the historic tugboat and the captain’s explanation of the industrial part of the port.”

Advance reservations are recommended and clients must check-in 15 minutes before the scheduled visit.

Bowne & Co. is holding FREE outdoor letterpress printing demonstrations until October 30, 2021 on Fridays and Saturdays. Printers will set up a selection of historic presses outside on the steps of 209-211 Water Street. Demonstrations will take place hourly between 11 a.m. and 5 p.m. and will each last five to seven minutes, illustrating the 19th century printing process with a variety of presses and equipment from the History of Printing Collection of the museum. Articles printed throughout the day will be distributed as tangible reminders of the experience. Bowne & Co.’s public programs are made possible by the New York State Council for the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. One of this year’s attendees said: “The kids thought it was magic”.

Along with the demos, new products are now available for purchase from Bowne & Co., Stationery in the bowne.co online store, including new lines of letterpress postcards, boards and card games boxed correspondence. Take a sweep to support your favorite New York neighborhood or to celebrate the wooden figures the team at Bowne & Co. previously used as part of the # 36DaysofType project. Items purchased online can be shipped anywhere in the country or be picked up in person at 209-211 Water Street on Wednesdays, Fridays and Saturdays. Visit bowne.co to browse and buy.

The Seaport Museum also offers a FREE outdoor exhibit on Pier 16, which will provide an opportunity to discover this chapter in New York history. This series of window panels and graphics will celebrate people from all walks of life who have lived and worked in the historic South Street Seaport, as well as the many businesses that laid the foundation for New York City to thrive and become the Mecca for business. and the culture it is today. Using photographs, prints, lithographs and historical paintings, the exhibition highlights part of the Seaport Museum’s collection of over 28,000 artifacts and works of art, and over 55,000 documents historical.

The participants said:

I had a wonderful and informative time visiting the Wavertree. Having staff on hand to explain features and details while letting visitors wander around and experience the different cabins and decks at their own pace was truly refreshing.

It was all very interesting. We all enjoyed it. One of the staff allowed our kids to spin a wheel and explained a few things on the top of the captain’s deck which was great.

We really enjoyed the tour on the Ambrose and learned a lot about the ship and in particular how Ambrose (the person) worked to deepen the waterways in New York Harbor to accommodate the larger ships that were coming in. headed for our shores.

Decker is the best way to explore New York Harbor; I loved the historic tugboat and the captain’s explanation of the industrial part of the port.

The printing demonstration was fascinating, and the printer was a great explanatory and demonstrator.

I’m a stationery fan and it was interesting to see the old and random stamps and designs. I also enjoyed bringing home a newly printed card made right in front of me.

Seaport Museum memberships start at $ 50 and help support museum exhibits, preserve ships and collections, expand public programs, and serve over 12,000 students through educational initiatives. To join the Museum as a member, visit seaportmuseum.org/membership.

Although the interior spaces of the South Street Seaport Museum remain closed due to the COVID-19 pandemic, the tall ship Wavertree, the Ambrose flagship, the tugboat WO Decker and the outer steps of Bowne & Co. now welcome visitors. as part of our 2021 seaport season. Museum Open Days.

As of August 24, 2021, please note that per NYC Emergency Executive Order 225, proof of at least one dose of COVID-19 vaccination will be required to board WO Decker, Ambrose and the lower decks and confined spaces of Wavertree. for everyone. guests aged 12 and over and children under 12 must be accompanied by a vaccinated adult. Proof of vaccination can be provided in the form of a physical vaccination card, NY Excelsior Pass app, or NYC COVID Safe app when checking in at the red welcome tent on Pier 16.

Additionally, in accordance with current Federal and New York State COVID-19 guidelines, masks are required at all times aboard WO Decker, Ambrose, and Wavertree. Due to the nature of the face-to-face proximity to watch printing demonstrations, masks are also required at Bowne & Co. Face covers are required for employees, and increased cleaning protocols are also in place.

Current COVID-19 protocols can be found at southstreetseaportmuseum.org/covid-19-updates.


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Review: Prints and engravings by Sanat Kar http://russellchatham.com/review-prints-and-engravings-by-sanat-kar/ http://russellchatham.com/review-prints-and-engravings-by-sanat-kar/#respond Fri, 17 Sep 2021 18:34:43 +0000 http://russellchatham.com/review-prints-and-engravings-by-sanat-kar/ Prints and Prints, an exhibition of woodcuts, engravings, intaglio and lithographs by Sanat Kar was recently organized by Debovasha Srimoyee Bagchi | Posted on 09/18.21, 12:04 AM If the eyes are the windows to the soul, Sanat Kar’s paintings lay bare the artist’s psyche. Eyes have remained central to Kar’s artistic sensibility, whether in the […]]]>

Prints and Prints, an exhibition of woodcuts, engravings, intaglio and lithographs by Sanat Kar was recently organized by Debovasha



Srimoyee Bagchi

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Posted on 09/18.21, 12:04 AM


If the eyes are the windows to the soul, Sanat Kar’s paintings lay bare the artist’s psyche. Eyes have remained central to Kar’s artistic sensibility, whether in the sparse lines of his pioneering wooden intaglios or the sprite-like figures parading across his prints. This was evident, once again, in Impressions and impressions, an exhibition of woodcuts, engravings, intaglio and lithographs by Kar recently organized by Debovasha.

Kar’s etchings as well as his lithographs and engravings are imbued with a feeling of isolation. Even when his one-dimensional, sprite-like beings are grouped together in lithographs, it is evident that they are friends who have forged a kinship born out of despair. The sober, yet flowing lines surrounding the characters – in this show they are mostly lonely – are spontaneous and daring, conveying Kar’s skills with brush and etching. When Kar opts for intricate details, he achieves a wonderful effect by playing with negative space, crosshatch and smudged earthy undertones to create a mysterious and brooding atmosphere.


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The Black Keys to release 10th anniversary edition of ‘El Camino’ http://russellchatham.com/the-black-keys-to-release-10th-anniversary-edition-of-el-camino/ http://russellchatham.com/the-black-keys-to-release-10th-anniversary-edition-of-el-camino/#respond Fri, 17 Sep 2021 16:12:42 +0000 http://russellchatham.com/the-black-keys-to-release-10th-anniversary-edition-of-el-camino/ Has it really been a decade? The Black Keys will release a 10th anniversary edition of their critically acclaimed and commercially successful album “El Camino” on November 5 via Nonesuch Records. Akron’s seventh studio album, released on December 6, 2011, featured the hits “Lonely Boy”, “Gold on the Ceiling” and “Little Black Submarines”, and won […]]]>

Has it really been a decade?

The Black Keys will release a 10th anniversary edition of their critically acclaimed and commercially successful album “El Camino” on November 5 via Nonesuch Records.

Akron’s seventh studio album, released on December 6, 2011, featured the hits “Lonely Boy”, “Gold on the Ceiling” and “Little Black Submarines”, and won the Grammy Awards for Best Rock Album, Best Song rock and the best rock show.

Singer and guitarist Dan Auerbach and drummer Patrick Carney recorded the album at Easy Eye Studio in Nashville and produced it with Danger Mouse. “El Camino” has been certified double platinum in the United States.

The Black Keys to release a 10th anniversary edition of their 2011 album

What’s going to be on the 10th anniversary edition?

The 10th Anniversary Edition will be available in multiple formats, including a premium “Super Deluxe Edition” ($ 149.98) with five LP vinyls or four CDs, including a remastered version of the original album, a previously unreleased recording. a Portland, Maine concert, a 2012 BBC radio session, a 2011 Electro-Vox session, a limited edition photo book, poster and lithograph, and ‘a “new car scent” air freshener.


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NOTES OF MEN AND THINGS http://russellchatham.com/notes-of-men-and-things/ http://russellchatham.com/notes-of-men-and-things/#respond Fri, 17 Sep 2021 04:37:16 +0000 http://russellchatham.com/notes-of-men-and-things/ NOTES OF MEN AND THINGS East St. Louis has contracted for the Gamewell fire alarm system with EB Chandler, the company’s Western agent. Atlanta, Georgia contracted with the Fire Extinguisher Manufacturing Company of Chicago, through the company’s New York agents, SF Hayward & Co., for a Champion chemical engine and flexible cart. Chief C. Armbrest […]]]>

NOTES OF MEN AND THINGS

East St. Louis has contracted for the Gamewell fire alarm system with EB Chandler, the company’s Western agent.

Atlanta, Georgia contracted with the Fire Extinguisher Manufacturing Company of Chicago, through the company’s New York agents, SF Hayward & Co., for a Champion chemical engine and flexible cart.

Chief C. Armbrest of the Winterset, Ia., Fire Department has ordered helmets for his service from the Smith Manufacturing Company, PP, at 123 Fulton Street, New York. This company is doing an extremely commendable job in this area.

“Now I have five (5),” says Chief Engineer TW Lane of the Manchester (NH) Fire Department, referring to Brngor’s extension ladders, which means there are several years they bought one and have continued to buy it ever since. Top here.

Attention is drawn to the new advertisement on a separate page for the Gleason & Bailey Manufacturing Company of Seneca Falls, NY. .

EB Preston & Co. of Chicago just shipped one of its new turntable turntable scale trucks to Omaha, Neb. It is considered to be one of the 6 biggest devices ever made. The extension ladder can be raised to a height of ninety feet. The mounts are all nickel plated and the device is one that the Omaha Department can be proud of.

“Inspection Day at Blackville,” is the title of a fun colorful lithograph just released by Rumsey & Co., the makers of tire fixtures in Seneca Falls, NY It represents the home of Blackville Hook and Ladder Company # 2, his device, and the company ‘spelled out “Fig.” A notice posted on the door warns members to “leve deir razzers wid de fo’man during de parade”.

Hall’s English Food comes highly recommended by those who have used it, whether for horses or cattle. On July 19, 1886, the Hon. George B. Loring, president of the NE Agricultural Society wrote of Salem, Mass: “I fed the horses and cattle of Hall’s English Food according to the instructions given to my horses, my cattle being entirely on the grass at this time. season. The high was all that could be desired, it improved the condition of the animals and gave them more energy for their work. I can highly recommend it. ”

A number of prominent New England Fire Department officials recently traveled to Brockton, Massachusetts to witness the testing of the new Silsby Steam Fire Engine purchased by that town. The test was most successful.

Thirty pounds of steam was extracted from the cold water in four and three-quarters minutes. With 100 feet of hose and a one-and-an-eighth inch nozzle, a horizontal spray was projected at 249 feet; and with two lines too many feet each and nozzles an inch and an inch and an eighth, streams of 160 feet were thrown out. With two lines of fifty feet, siamescd, and a nozzle of an inch and a half, the current reaches 260 feet; with a one and three quarter inch nozzle at 240 feet and with a smooth bore one and one quarter inch nozzle at 300 feet. The test took place in a strong wind, which greatly hampered the waterways, and the steam in the boiler, by order of the committee, was not allowed to exceed any pound. Brockton’s experience with the Silsby engine was most satisfying, and the engineering council was unanimous in ordering the last aircraft.


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“Worn” – The Dutch Museum found a painting of a tired old man Van Gogh http://russellchatham.com/worn-the-dutch-museum-found-a-painting-of-a-tired-old-man-van-gogh/ http://russellchatham.com/worn-the-dutch-museum-found-a-painting-of-a-tired-old-man-van-gogh/#respond Thu, 16 Sep 2021 16:08:13 +0000 http://russellchatham.com/worn-the-dutch-museum-found-a-painting-of-a-tired-old-man-van-gogh/ The Van Gogh Museum will present unseen works of art by an artist named “Worn Out” in Amsterdam, The Netherlands on September 16, 2021. REUTERS / Piroschka van de Wouw September 16, 2021 Amsterdam (Reuters) – The Dutch Museum of Art unveiled an unknown work by Vincent van Gogh on Thursday. hand. “Van Gogh really […]]]>

The Van Gogh Museum will present unseen works of art by an artist named “Worn Out” in Amsterdam, The Netherlands on September 16, 2021. REUTERS / Piroschka van de Wouw

September 16, 2021

Amsterdam (Reuters) – The Dutch Museum of Art unveiled an unknown work by Vincent van Gogh on Thursday. hand.

“Van Gogh really cared about the average person and wanted to express their emotions,” said Emily Gordenker, director of the Van Gogh Museum.

“I think we’ve all come out of COVID times like this. Surprisingly, we can share this with our visitors. We are open and open. I am happy. “

The discovery of the work of the famous troubled artist who died in 1890 is extremely rare. The designs belonged to a private collector and were unknown or hidden.

“So when (the owner) came to the museum it was a big surprise,” said lead researcher Theio Minendorp, adding that the work was relatively easy to certify. The 20 x 12 inch (50 x 30 cm) work was done in a unique style on watermarked paper from 1877, using Van Gogh’s favorite drawing tool, the carpenter’s pencil.

It looks a lot like the more famous painting of the “old man”, but the point of view is not from above, but at the level of the eyes of the old man.

Thanks to the two letters that Van Gogh wrote on November 24 of the same year, Minendorp stated that the work could be dated with extraordinary precision to the last week of November 1882. It was a relatively stable period for the artist. while living with a woman in The Hague.

One of the letters to his brother Theo said that he had drawn two pictures of “an old man with his elbows in his knees and his head in his hands” and was thinking of making a lithograph of them.

“An old man in a bald-headed pelvis costume gives us a spectacular view,” writes Vincent.

Another letter was addressed to a fellow artist, saying he confidently planned to create a lithograph on the theme. Van Gogh created a lithograph entitled “At Eternity’s Gate” on November 27, 1882, three days later.

Mr Minendorp said Van Gogh gave his work an English title in the hopes that his paintings would gain attention and lead to his work as a magazine illustrator.

It never happened. Van Gogh had little commercial success during his lifetime, despite his subsequent great success.

Dutch artists suffered from mental illness and considered themselves a failure. Two months before his death, he returned to the theme with an oil painting entitled “At Eternity’s Old Man” based on lithographs.

Van Gogh died on July 29, 1890 from a gunshot wound.

(Report by Toby Sterling, edited by William Maclean)

Source link “Worn” – The Dutch Museum found a painting of a tired old man Van Gogh


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Smith College and UMass Amherst join local galleries in new September exhibitions http://russellchatham.com/smith-college-and-umass-amherst-join-local-galleries-in-new-september-exhibitions/ http://russellchatham.com/smith-college-and-umass-amherst-join-local-galleries-in-new-september-exhibitions/#respond Tue, 07 Sep 2021 17:34:48 +0000 http://russellchatham.com/smith-college-and-umass-amherst-join-local-galleries-in-new-september-exhibitions/ When it comes to art, September has generally been a particularly busy time in the Valley, as college galleries and museums unveil new exhibits to welcome students and faculty again, and galleries across the region also display. their monthly changes. Last fall, the pandemic closed college art museums to the public and in most cases […]]]>

When it comes to art, September has generally been a particularly busy time in the Valley, as college galleries and museums unveil new exhibits to welcome students and faculty again, and galleries across the region also display. their monthly changes.

Last fall, the pandemic closed college art museums to the public and in most cases to students. But the University of Massachusetts Amherst and Smith College are now welcoming visitors, and galleries in the area are offering new work, making September 2021 something of a return to normal.

Here is an overview of what is available. Check COVID-19 security protocols and limitations for all sites.

To welcome visitors again, Smith College Art Museum presents three main exhibitions. “SCMA Then / Now / Next” juxtaposes some of its early collections with more recent ones, and it has also been organized, according to staff, to reflect the museum’s continued desire to give more exposure to artists’ art. and previously under-represented cultures.

As the exhibit notes indicate, the museum’s 100th anniversary “provides us with an opportunity to confront the systematic ways in which museums, including the SCMA, have distorted historical narratives by elevating certain cultures and histories to the exclusion of others ”.

Also on view at SCMA, an ancient art exhibit that has been redesigned to include more artefacts from Asia, Persia and the Americas, with less emphasis on ancient Egyptian, Greek and Roman art. And “Arts of Africa c. 1825-1960 ”, curated by Dr Christa Clarke of Harvard University, offers a new take on the SCMA African art collection.

At UMass Amherst, the Augusta Savage Gallery will open a new exhibit on September 10 which unfortunately couldn’t be more timely, given the weather-related disasters that have apparently been reported around the world this summer.

“Rising Waters / Blazing Earth” features multimedia prints from 32 members of Zea Mays Printmaking in Florence who focus on resource exploitation and environmental themes. Specifically, artists were challenged to create their work with materials that have been “reused, looted, saved, recycled, traded, appropriated or found,” as the exhibition notes put it.

This goal also dovetails with Zea Mays’ core philosophy of using non-toxic materials and “making printmaking safer for artists and the environment,” as the group’s website notes.

Also at UMass, the University Museum of Contemporary Art (UMCA) opens an exhibition on September 23 on New York artist (and MacArthur Fellow) Nicole Eisenman, known primarily for her oil paintings and sculptures. But the UMCA’s exhibition “Prince” will focus exclusively on Eiseman’s expressive prints – a first for the artist.

Mixture of lithographs, engravings, woodcuts, prints on paper pulp and monotypes, Eisenman’s prints are full of “caricatural figures with emotional resonance, formed of exaggerated pictorial lines and intense colors … [f]full of pathos and dark humor ”, as the exhibition notes say.

An accompanying exhibit, from the Five College collections, examines the Modernist prints of other artists whose work influenced Eisenman.

And at Hampden Gallery, including outside the building in a sculpture gallery, exhibits featuring the work of artists Peter Dellert, Christopher Janke and Daniel Zeller open September 7; an online exhibition of glass artists, “Formed with Silica”, also opens.

Outside of colleges

In Northampton, William Baczek Fine Arts presents a just-opened double exhibition of painters Jeff Gola (New Jersey) and Charlie Hunter (Vermont), who share a love of landscape painting but use different mediums and offer distinctive styles.

New Jersey is one of the more urban states in the United States, but Gola, who grew up on a farm, is drawn to rural landscapes and views of small towns (including some here in the Valley). Using egg tempera on panel, his paintings offer a lot of detail and atmosphere; some, like “Berkshire Vernacular,” a view of a weathered farmhouse in winter, have an almost photographic quality.

Hunter’s work, mainly in oil paint but occasionally in watercolor, is more austere, with some paintings tending towards abstraction. But his paintings also evoke the calm of rural life, sometimes with a more lonely and haunting aspect: “Cantilever Signal”, for example, depicts an empty stretch of railroad disappearing into tangled brush under a darkening sky.

Also in Northampton, APE Gallery features other work by one of the Hamden Gallery artists, Peter Dellert of Holyoke, in “New Paradigm Tool Company”, an exhibition which opens on September 8.

Dellert, a sculptor and mixed media artist, was also a cabinetmaker and cabinet maker, and he draws on this experience to make sculptures from a wide variety of materials. In the APE exhibition, he created strange and surreal “tools”, like a dustpan with a long, curved handle that ends in a water tap.

Work, notes Dellert, seeks to approach manual labor and how it is viewed in an increasingly tech-dominated world; it’s a review of what the increasing automation of manual labor means for our future.

In Amherst, the Eric Carle Museum of Picture Book Art has long advocated for illustrations of independent children’s work. Hope & Feathers, Amherst’s gallery and framing store, will take a page from this idea and showcase the work of children’s author and illustrator Aaron Becker starting September 2.

Becker, who lives in Amherst, is the author of a wordless trio of fantastic books, the first of which, “Journey”, won a Caldecott Honor in 2014. His rich and detailed watercolor illustrations for these books, and the digitally altered pastel work in a fourth book, “A Stone for Sascha”, were acclaimed.

Becker also did the illustrations for a soon-to-be released children’s book, “Survivor Tree,” about a small tree that is slowly continuing to grow where the Twin Towers fell on September 11.

And in Holyoke, PULP Galley will open “A Life in Art” by Holyoke sculptor Edwin Lynch on September 11th. Lynch previously worked as a producer, director and cinematographer in film and television, and his work as a sculptor is also varied: bronze figures, masks, stone carvings and more.

His new work includes a number of ‘Thinking Women’ figures, which he features on his website with a short humorous video that shows images of ‘Thinking Men’ sculptures and says’ There are countless’ thinking men ‘ worldwide. Here’s an idea: “Women who think. ”

The work of painter Billy Evans will also be presented at PULP in September.


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